If you are looking for a cheap option that provides millions of samples from incredible VSTS, you can try Splice for free and then it costs only $7.99 a month. It’s illegal, you risk putting viruses into your computer, and you’re most likely going to end up with bugged software. While my opinion is that using cracked plugins is wrong, I also believe it’s just dumb. It’s mainly because you’re playing with fire. I want to point out right away that I am against the use of cracked software, but not just because I find it to be unethical. Once you do so, you will most likely be shocked and upset at the price of some of these libraries. You’re most likely going to research which VSTS your favorite producers are using and then look those up. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).When you first start out producing and recording music, you are going to want to expand your VST libraries. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does.
Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies.
Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Playback of wavetables requires digital resampling to play different frequencies.
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